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Related Reviews

Jazz Weekly
“intricate and mood changing arrangements of each of these original pieces…sublime”
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Cadence Magazine
“a fine trio they are…Recommended”
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"They project an image much larger than three musicians making excellent use of dynamics."
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'they seek to extend what a contemporary "jazz" piano-bass-drums unit might attempt.'
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Improvijazzation Nation
"I expect we will be hearing much more from this splendid trio, in fact I predict that they will ROCKET to the top of the charts & stay there for a few years if they keep putting out great jazz like this! I give them a MOST HIGHLY RECOMMENDED, with an "EQ" (energy quotient) rating of 4.98."
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jazzreview.com
"Trichotomy are the essence of the jazz trio, they bring skill, creativity and a vision to their work. I count this CD among the best that I have come across in my continuing explorations"
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Variations on JazzBreakfast


01 February 2010
Jazz Breakfast
Peter Bacon

The more one listens to modern jazz piano trios the more one realises just how influential E.S.T have been. No group since the Bill Evans Trio in the 1960s has so profoundly altered the path taken by the perfect little combo of acoustic piano, double bass and drums.

The opener, Island Of The Sun, could fool many in a blindfold test into thinking they had stumbled on an unreleased E.S.T. recording, albeit from their early, From Gagarin's Point Of View period. And if they listened to At The Right Moment, its follow-up, in the same circumstances, they might think of the Tord Gustavsen Trio.

But to suggest that this Australian threesome of Sean Foren (piano), John Parker (drums) and Patrick Marchisella (bass) are copyists would probably be unfair. What they have done is absorb the influences of some of the most distinctive piano trios around in the last decade. And that includes The Bad Plus and fellow Australians The Necks, too. They also, like so many young jazz groups, listen to Radiohead and Tortoise, too. And Philip Glass.

There are strong tunes here, there are good grooves, there is subtle interplay, and a nice range of moods, from delicate swing on At The Right Moment, to minimalist texture-laden pieces like Start (which includes strings and saxophone), and complex cross rhythms and pretty freaky moments on Variations On A Bad Day.

Excellent sound as you would expect from Naim.


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