13 October 2011
Vanguard MusicEclectic
yet unified, the Cinematic Orchestra's guitarist's third album is very
much of it's time. There's a vogue for instrumental albums and quieter
collections dropping through the door at Vanguard Towers. It's like the
musical equivalent of "staying in is the new going out". "Meditative
thoughtful music is the new rock and roll". There are all sorts of
styles here but they are all full of thought. Take the first track for
example, an extended guitar solo (ala Kaki King) atop echoing and
slightly fuzzy colours. Not rock and roll but it grabs you. Later you'll
find jazz and electronic sounds, smoothed into a consistent and
hypnotic shape. Pinning it together is a love of steel stringed guitar
(of course...). Sometimes it is a loud electric-edged tone, occasionally a
bubbling Grant Green tone on jazzier numbers but Stuart seems adept at
switching between the two.
Stuart is a dab hand (and foot) with the effects pedals, creating loops
and electronic effects that make for a wide-screen album. Rather like
his day-job, these sound like they should be accompanying a film. Or you
could stick some headphones on and gaze out of the window. Keys, harp
effects, DJ sounds - it's all here. There's no 3 minute singles here -
most hover around the five minute mark and some run it up to eight,
maximising the effect time. "Inflight" steps up a beat, with some racing
drums but the glassy effect of the guitar still gives a languid
shoegaze effect to the whole. I found myself playing this often while I
was doing computer work, letting it carry me along while the guitar
occasionally needled my brain and distracted me. Title track, Distilled,
uses a jittery dance effect and jazzy drums under the string effects to
jolt you gently back towards the real world.
As with all Naim releases, the sound quality is excellent - as natural as an electronic effects set is likely to get.
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