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Related Reviews

Down Beat
4 Stars
"extend new musical light on what we think of as 'the originals'."
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Motif
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Limelight
'amongst the best when it comes to reinterpreting popular songs'
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Jazz Bus
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The Scotsman
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alifeof style.com
"After hearing Ms. Jungr live, I realize she is more than a singer - but a true performer. On stage she has the power to take you up with a wind blown lyric, and then drag you through the depths of a long lost dream with another. Great performers have the ability to create this arc - Jungr has it in spades."
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Nightlifeexchange.com
"This isn't merely an entertainer whose talents scrape the heavens; rather, this is an entertainer who grabs the stars from the skies and scatters them across a room with her talent."
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blitzmag
" Jungr reiterates her determination to take possession of the basic framework and reinvent according to her individual preferences...it is obvious that she has succeeded admirably."
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"Jungr’s Men is an artfully crafted, contemporary sounding session, sensitive and powerful...For the full effect, check her out live"
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Jazz Times
"powerfully affecting....for sheer poetic beauty, none can match the stirring solemnity of her prayerlike "Night Comes On."
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Time Out NYC
"Her supple and versatile voice glows like a hearth on a winter's day...superb"
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allmusic.com
"an engrossing album...transforming everything from Talking Heads to the Isley Brothers"
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O's Place Jazz Magazine
3 Stars
'Jungr and Wallace try to capture the spirit of a live performance. They succeed '
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The Sunday Mercury
"This new CD is [a] collection of fine compositions...unique"
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Culture Catch
"If cabaret is to have a future (and sizable audience) beyond senior citizens, it will likely sound like this"
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Wears The Trousers Magazine
"Intimate yet dramatic, it’s lush enough to swim in and full of heart-tugging sincerity"
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Cabaret Scenes (LIVE REVIEW)
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Jazzwise
3 Stars
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Net Rhythms
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In Tune
"She totally subverts all previous versions...enlightening and soulful"
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Rock 'n' Reel
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Metro
"she’s established herself as one of the leading lights of the art-song tradition..outstanding"
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The Huffington Post
"at the moment one of the best, if not the best, is Barb Jungr...she has an ability to combine intellectual depth with authentic emotionalism"
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All About Jazz
"Thoughtfully and beautifully rendered...revealing pleasures previously hidden by the lesser interpretations of these numbers"
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St Joseph News (US)
"Barb Jungr has that Joni Mitchell hipness. Her interpretation of new standards are like vocal poetry."
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The Information Magazine (The Independent)
"Takes your breath away"
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Time Out NYC
"one of the top five cabaret singers in the world right now. She’s just that good"
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The Independent
4 Stars
"poised on the cusp of relaxation and anticipation...perfect"
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Midwest Record
"A new high water mark for sitting down music"
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ThisIsBooksMusic.com
"a true artist who knows how to get in the spirit of these compositions and allow herself to get caught up in the music"
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The Sunday Times
4 Stars
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Choice Magazine
"a truly great interpretive singer"
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Daily Echo
3 Stars
"shows just what a travesty shows like X-Factor make of a much maligned art"
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Record Collector
3 Stars
"a unique presentational style"
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LondonJazzBlog
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VortexJazz.co.uk
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Attitude Magazine
3 Stars
"Elegant"
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The Men I Love on BBC.co.uk


22 February 2010
BBC.co.uk
John Eyles

READ FULL REVIEW @ BBC.CO.UK HERE

Before recording this album, Barb Jungr and her pianist Simon Wallace toured extensively with the stage version, The Men I Love. The show received rave reviews across the UK and in New York for Jungr's daring interpretations of its songs, and for the drama and emotion her voice conjures up.

From Ella Fitzgerald in the 50s to Rod Stewart in the past decade, albums with "songbook" in the title have tended to feature classic songs by notable songwriters like Irving Berlin, Hoagy Carmichael, Cole Porter and their ilk. Now, this album has broken that mould and radically redefined the term.

The Men I Love: The New American Songbook focuses on songs written since the 60s, including some by stars like Leonard Cohen, Bob Dylan, Paul Simon and Bruce Springsteen. Alongside these is an adventurous mixture that takes in Motown, The Monkees (via Neil Diamond), Bread, Talking Heads and Johnny Johnson and the Bandwagon.

Jungr's powers of interpretation make such an eclectic selection into a vital, coherent album. She sounds as if she has lived every line of every song. These are not just cover versions. Instead, Jungr and Wallace have taken the songs apart to find out how they work, before remodeling them.

Often the results are unrecognizable compared to the originals. The opener, Once in a Lifetime, bears no trace of Talking Heads' funk workout, replaced by a sparse, dramatic and almost confessional reading that hinges on the line "my God, what have I done?" delivered with an appropriate sense of revelation.

Key to some of these versions is the combination of two songs on a related subject. Can't Get Used to Losing You moves seamlessly into Red Red Wine, while This Old Heart of Mine becomes Love Hurts - the pain of lost love is a recurring theme throughout the album.

These recordings build on the piano and voice duo of the live show. The subtle addition of bass, cello, flute and percussion adds shading, complementing Jungr and Wallace without detracting from them. Jungr needs no added ingredients to improve her communication of the intense feelings contained in these great songs.


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