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Related Reviews

Down Beat
4 Stars
"extend new musical light on what we think of as 'the originals'."
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Motif
"Jungr is a magician with words and her ability to transmute anything she sang into something sombre and heartfelt was the stuff of pure alchemy."
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Limelight
'amongst the best when it comes to reinterpreting popular songs'
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Jazz Bus
" To hear her alternately draw in tenderly and unfurl the tune is a wondrous experience."
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The Scotsman
"Superb"
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Blurt-online.com
'Barb Jungr brings the same kind of warm, elegant clarity and effortlessly compelling dramatic intonation to her singing as Emma Thompson does to her acting, and instantly establishes anything she does as important.'
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alifeof style.com
"After hearing Ms. Jungr live, I realize she is more than a singer - but a true performer. On stage she has the power to take you up with a wind blown lyric, and then drag you through the depths of a long lost dream with another. Great performers have the ability to create this arc - Jungr has it in spades."
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Nightlifeexchange.com
"This isn't merely an entertainer whose talents scrape the heavens; rather, this is an entertainer who grabs the stars from the skies and scatters them across a room with her talent."
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blitzmag
" Jungr reiterates her determination to take possession of the basic framework and reinvent according to her individual preferences...it is obvious that she has succeeded admirably."
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"Jungr’s Men is an artfully crafted, contemporary sounding session, sensitive and powerful...For the full effect, check her out live"
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Jazz Times
"powerfully affecting....for sheer poetic beauty, none can match the stirring solemnity of her prayerlike "Night Comes On."
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Time Out NYC
"Her supple and versatile voice glows like a hearth on a winter's day...superb"
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allmusic.com
"an engrossing album...transforming everything from Talking Heads to the Isley Brothers"
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O's Place Jazz Magazine
3 Stars
'Jungr and Wallace try to capture the spirit of a live performance. They succeed '
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The Sunday Mercury
"This new CD is [a] collection of fine compositions...unique"
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Culture Catch
"If cabaret is to have a future (and sizable audience) beyond senior citizens, it will likely sound like this"
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Wears The Trousers Magazine
"Intimate yet dramatic, it’s lush enough to swim in and full of heart-tugging sincerity"
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Cabaret Scenes
"Few artists can lay claim to being labeled 'one of the world’s premiere song stylists…' Here, Jungr wipes away the competition."
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Cabaret Scenes (LIVE REVIEW)
"With bold choices and naked emotionalism, Barb Jungr is committed, commanding and compelling"
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Jazzwise
3 Stars
"At times startling and often revelatory, sometimes within the space of a single song"
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In Tune
"She totally subverts all previous versions...enlightening and soulful"
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Rock 'n' Reel
4 Stars
"There are few better interpreters of contemporary song than Barb Jungr"
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Metro
"she’s established herself as one of the leading lights of the art-song tradition..outstanding"
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The Huffington Post
"at the moment one of the best, if not the best, is Barb Jungr...she has an ability to combine intellectual depth with authentic emotionalism"
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All About Jazz
"Thoughtfully and beautifully rendered...revealing pleasures previously hidden by the lesser interpretations of these numbers"
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St Joseph News (US)
"Barb Jungr has that Joni Mitchell hipness. Her interpretation of new standards are like vocal poetry."
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The Information Magazine (The Independent)
"Takes your breath away"
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Time Out NYC
"one of the top five cabaret singers in the world right now. She’s just that good"
more >>
The Independent
4 Stars
"poised on the cusp of relaxation and anticipation...perfect"
more >>
Midwest Record
"A new high water mark for sitting down music"
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BBC.co.uk
"[Jungr] sounds as if she has lived every line of every song...daring, drama and emotion"
more >>
ThisIsBooksMusic.com
"a true artist who knows how to get in the spirit of these compositions and allow herself to get caught up in the music"
more >>
The Sunday Times
4 Stars
"Walking a fine line between cabaret, jazz and grown-up pop, Jungr has always had an eye for an unlikely tune"
more >>
Choice Magazine
"a truly great interpretive singer"
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Daily Echo
3 Stars
"shows just what a travesty shows like X-Factor make of a much maligned art"
more >>
Record Collector
3 Stars
"a unique presentational style"
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LondonJazzBlog
"Jungr at her magnificent best"
more >>
VortexJazz.co.uk
"Jungr infuses lyrics with extraordinary tenderness"
more >>
Attitude Magazine
3 Stars
"Elegant"
more >>

The Men I Love in Net Rhythms


24 March 2010
Net Rhythms
Mike Davies

CLICK HERE FOR FULL REVIEW

Barb Jungr - The Men I Love: The New American Songbook (Naim)



An acclaimed song stylist incorporating jazz and blues who's been compared to Nina Simone, Edith Piaf and Peggy Lee, Rochdale born Jungr's been one of the foremost names on the cabaret circuit since the mid-70s, interpreting the work of a variety of writers in her own distinctive, European influenced fashion.
Drawn from her live show, working with pianist and composer Simon Wallace this collection sees her addressing material from a diverse collection of American male songwriters. Having previously recorded an album of Dylan material, it's no surprise to find him revisited here with a jazzy swing through You Ain't Going Nowhere. Likewise, the inclusion of Cohen (Night Comes On), Simon (My Little Town), Webb (Wichita Lineman) and Springsteen (a violin and woodwind haunted The River), none of them sounding as if they would be out of place delivered at a dramatic peak in some Broadway musical drama.
Neil Diamond gets two numbers here. A six minute I'm A Believer is recast like a wistfully reflective Randy Newman ballad while a faithful big ballad version of Red Red Wine is preceded by a snatch of Can't Get Used To Losing You. The song fusion is less successful when she twins a Carole King styled interpretation of This Old Heart Of Mine with a slightly pedestrian Love Hurts and an urgent jittery 'rock' piano reinterpretation of Johnny Johnson & The Bandwagon hit, Breaking Down The Walls Of Heartache, doesn't quite come off though I suspect it works better in a live context.
But these minor blip are more than compensated for by a poignant piano and strings ballad Everything I Own that mines every drop of regret and an inspired serene arrangement of Once In A Lifetime that opens with flute and piano on hints of William Walton. It's a lovely album and much more than the background listening such projects can tend to be. Someone send Rod Stewart a copy.


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