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Naim Label


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Hi Fi News, Album Choice
'He has the most delicate and engaging voice I've heard in ages'
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"catharsis at its most blunt - and its most beautiful."
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FolkingCool.co.uk
"a solid album with its trampled heart in the right place, it’s one in the eye for the bald-chinned wannabes"
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Shakenstir
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Daily Express
"His downbeat folkish pluckings will put you in mind of Bon Iver or Elliot Smith"
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Uncut Magazine
"a lonesome American troubadour channelling personal heartbreak into art...elegantly arranged"
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The Northern Echo
"speaks volumes for Fitzsimmons' ability to convey emotion without appearing self-obsessed. "
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Independent on Sunday
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"Fitzsimmons wallows wonderfully [and] his loss is the listeners gain"
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'folky songs that can make the hairs on your neck stand up – and like Iron & Wine’s Sam Beam he has a damn impressive beard.'
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Die Shellsuit Die.co.uk
"an album that will stay with you for a long time and rightly so"
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bbc.co.uk
"Lush, acoustic delicacy and soft, smooth-as-silk harmonies "
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Crackerjack
"the sheer beauty of his melodies and his understated soulful voice make [William's] songs totally captivating"
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XYZ Magazine
"deserves to be brought to the attention of British music lovers!...Truly beautiful"
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AllGigs.co.uk
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"one to fall in love with, listenable, enjoyable and above all meaningful."
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Outline Magazine
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G3
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themusicfix.co.uk
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Hitchin Comet
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Virgin Music Review
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Entertainment Focus.com
"Fitzsimmons’s vocals remain gentle, spectral and touching throughout".
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London Tour Dates
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Washington Post
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Boston Herald
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Sparrow And The Crow in Saffron Walden Reporter


05 November 2009
Saffron Walden Reporter
4 Stars

How's this for a backstory: Singing psychotherapist so traumatised by divorce of his blind parents he writes an album about it; recording of said album proves so harrowing it helps the break-up of his own marriage; the now ex-psychotherapist documents said break-up in second album, which we have here.

Paper-delicate vocals and simple piano of opener After Afterall kicks off the intimate, painterly partnering of Will's hushed melancholy with both Priscilla Ahn and Caitlin Crosby.

Fingerpicked guitar weaves through other songs thick with personal regret, heartbreak and searing honesty.

Lyrically less poetic and opaque than predecessor Goodnight, this is catharsis at its most blunt - and its most beautiful.


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