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Whereas fellow heart-worn folkie Bon Iver locked himself away in the wilderness to produce a stark, desolate account of his break-up woes, Fitzsimmons takes the gentler Damien Rice approach conjuring up rich, soothing lullabies bereft of howling angst. Such is the swaying grace of his music it has been used to soundtrack schmaltzy farewells in US television dramas Grey's Anatomy and One Tree Hill. That natural cinematic elegance shines through on the swelling hush of piano ballad If You Would Come Back Home and the brittle fragility of the finger-picked Please Forgive Me, perfect for a forlorn Hollywood couple to run in slow motion through a rain-sodden night. Lush, acoustic delicacy and soft, smooth-as-silk harmonies continue to form wave, after wave of yearning, haunting soul-searching. But where's the anger? Where's the bitterness? Where's the late-night rant?