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Naim Label


Related Reviews

Chicago Examiner
'this disc invites celebration - the conviction that we're finally hearing Simon's music executed with the greatest fidelity to its artistic potential.'
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Pittsburg Tribune
"a highly individual blend of mellow jazz and thoughtful music with classical discipline"
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allmusic.com
3½ Stars
'a tonic for the rat race blues and crazed rhetoric we are bombarded with every day.'
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Cadence
"from a compositional standpoint the music comes as a welcome relief."
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Blitz Magazine: The Shape Of The Things To Come
"as Simon's media release suggested, "pop sensibility with jazz complexity". Indeed."
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Jazz Journal
"The music overall is played with strength, warmth and conviction and well worth investigating"
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Jazz Times
"brimming with impressionistic colours...most appealing"
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OsPlaceJazz.com
"Since Forever is conducive to relaxation and a sense of peace"
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Berman Music Foundation
"a generous offering from underappreciated composer and pianist Fred Simon."
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GappleGate Music Review
"extreme lyricism with soul and an ability to play inside or outside"
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St Joes News
4 Stars
"Since Forever is delightfully refreshing morning drive time music."
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Audiophile Audition
5 Stars
"some of the best American jazz"
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The Examiner
"a thoughtful jazz sound, that touches on elements of new age and even folk without surrendering the ability to swing"
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Midwest Record
"loaded with the warmth of an over due Christmas homecoming"
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MusicWeb International
"Simon's compositions all have a placid melodic appeal which repays repeated listening."
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Jazzwise
"a[n] elegiac, deeply romantic tunes that long time compatriots McCandless and Rodby interpret with an easeful poise"
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Jazz Breakfast
"There is a compositional, controlled and considered mood to the whole album and all the playing, and the recording is as fine as you would expect from the makers of high-end hi-fi."
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Manchester Evening News
3 Stars
"Attractive chamber jazz that should please fans of Oregon, Windham Hill and Keith Jarrett."
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Since Forever in Jazz Chicago


16 October 2009
Jazz Chicago.net
Brad Walseth

Another lush and beautiful recording from Naim and recording engineer Ken Christiansen, Since Forever was recorded at Northwestern's Pick-Staiger Hall and features pianist Fred Simon - known for his work on the Windham Hill label and collaborations with people like Kurt Elling, Larry Coryell and the group Oregon. Here, he is joined by two members of Oregon, saxophonist/multi-instrumentalist Paul McCandless and drummer/percussionist Mark Walker, as well as bassist Steve Rodby (Pat Metheny), who also produced the album, in performing Simon's compositions. Weaving elements from classical, jazz, world music and folk and pop into a tableau that shifts seamlessly from bright and bouncy ("Since Forever" - dedicated to Pete Seeger, "I Know You Know," "What's the Magic Word") to melancholic ("Even in the Evening" - dedicated to Simon's late sister, a version of Joe Zawinul's classic "In A Silent Way") to thematic (the album-ending "Beginning/Middle/End"). These piano-centered compositions have a bit of a New Age feel to them, but with a jazz and pop sensibility and enhanced by the great playing from all involved (Simon and McCandless especially shine) and the audiophile analogue recording which captures both the warmth and sheen wonderfully. Contemplative music for long winter nights ahead.
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