United States (change)
Naim Label


Related Reviews

Time Out
"Few can match the maturity and coherence of this young band's incredibly lucid vision of what an acoustic jazz band should sound like today"
more >>
Cadence
'intriguing in the way they exploit the rhythmic freedom of sax and vibes together.....very stylish and strong'
more >>
Flyglobalmusic.com
'you’d be a fool to miss this band live if they are anywhere near you'
more >>
Jazz Review
"One of the finest CDs I have had the privilege of reviewing"
more >>
Jazz Chicago
"One of the best young jazz combos in England"
more >>
Jazzism
4½ Stars
"Post bop with a remarkable energetic style"
more >>
Music Maker
"Like the genie in the lamp, this [album] releases the spirit of Dolphy. Listen to Empirical and make three wishes."
more >>
Audiophile Audition
4 Stars
"an ambitious and imaginative outpouring that is a compelling, creative and excellently constructed"
more >>
California Chronicle
2009's Best Jazz Albums: "This album is tight, imaginative and heartfelt"
more >>
ThisIsBooksMusic.com
"Explosive? This is the future of jazz now."
more >>
Jazz Times
"Out ‘n' In is driven by a desire to further avant garde art and to keep it relatable to contemporary audiences."
more >>
Northern Echo
"a wonderful combination of control and looseness"
more >>
Echoes
3 Stars
"Empirical have managed to tackle one of the most advanced minds in the jazz canon and grow organically from it is emphatic testimony to a daring and maturity that can only bode well for the future."
more >>
All About Jazz
"a momentous album, great in itself and promising even greater things to come."
more >>
The Observer
"Empirical catch the distinctive flavour of [Dolphy's] work beautifully"
more >>
Jazz Mann
4 Stars
"an excelllent record...there is clearly much more to come from these excellent musicians"
more >>
Vortex Jazz
"overall, this is an intense, poised but always approachable album. Recommended"
more >>
Jazz Journal
"Empirical come out strongly, with some genuinely thoughtful and innovative charts and comme il faut playing"
more >>
Coventry Telegraph
"Their style remains distinctive, but they have the courage to make a complete shift of emphasis in terms of their compositional direction. They succeed with a boundless finesse."
more >>
Independent on Sunday
"an impressively out-there sound"
more >>
The Times
3 Stars
"gorgeous"
more >>
Financial Times
3 Stars
"a fresh faced knockout"
more >>
Evening Standard
4 Stars
"intelligent, spacey music with absorbing solos"
more >>
The Guardian
4 Stars
"full of sparky variety...excellent"
more >>
BBC Music Magazine
5 Stars
"expertly sequenced with a fine sensibility for the music...as close to taking the band home as it gets"
more >>
Jazz Breakfast
"one of the most skilled bands in the country."
more >>
The Scotsman
4 Stars
"a spirited tribute to Eric Dolphy...[Empirical] rise to the challenge in engaged and inventive fashionm"
more >>
Jazzwise
4 Stars
"graceful...dramatic and subtle...a daring maturity that can only bode well for the future"
more >>
Record Collector
4 Stars
"imaginative renderings of two classic Dolphy numbers, [but] what's really striking are the nine original tunes"
more >>
City Life
4 Stars
"The group's own identity remains elusive on what sounds like a great, lost album by Eric Dolphy. "
more >>
Birmingham Post
"Hear how music can be rooted in the tradition of 45 years ago and still sound like the sound of tomorrow."
more >>
Daily Telegraph
3 Stars
"the coolest of Britian's young jazz bands"
more >>
Mojo
4 Stars
[Empirical] continue to astonish with their spirit and skill"
more >>

Out 'n' In in Buffalo News


27 December 2009
Buffalo News
Jeff Simon
3½ Stars

"Chutzpah," as the ancient Jewish tradition has it, is best defined by the child who kills his mother and father and then throws himself on the mercy of the court because he's an orphan. Another might be a young British jazz group praised to the skies by no-longer-young Courtney Pine and paying so much tribute to Eric Dolphy on its newest disc that it includes two tunes from Dolphy's classic "Out to Lunch" LP ("Hat&Beard" and "Gazelloni"), one outright tribute to Dolphy and that unsettling Dolphy instrumentation of alto saxophonist over vibraphone. No alto saxophonist or bass clarinetist today can quite jolt a listener by coloring as far outside the lines as Eric Dolphy did with such virtuosity in the '60s (Dolphy's phenomenal command of his horn is what distinguished him completely from the more vocally expressive Ornette Coleman), but when these young Brits immerse themselves in Dolphy's still-challenging spirit, they aren't kidding in the slightest. The contrapuntal interplay of hornmen Nathaniel Facey and Julian Siegel on "A Conversation" actually seems to pick up in places where Dolphy left off. A major surprise.
Bookmark and Share




A CC Music Store Solution