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Related Reviews

BermanMusicFoundation.org
"The sensitivity that Haden and Italian guitarist and composer Antonio Forcione bring to their playing and writing makes them a perfect pair."
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Downbeat
4 Stars
"Not surprisingly, it is a quiet album, with few moments of flurry."
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Billboard.com
"Heartplay" is a lovely bit of acoustic jazz."
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Guardian
"Beautifully recorded album."
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The Irish Times
4 Stars
"Delightful."
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HFN Magazine
"A recording that highlights Forcione's beautiful tone and, unhackneyed phrasing. Haden is compelling even at tempos nearing stasis."
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Scotsman.com
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"Ravishingly beautiful sound."
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Times Online
3 Stars
"Forcione's solo set piece always delivers sparkling, percussive runs, his hands flashing against the neck of the guitar while rapping a beat against the instrument's body. Guitar heroics, yes, but with a touch of class."
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20th Century Guitar Magazine
"Great late night spin."
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AllAboutJazz.com
"Warm and enveloping listen."
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IAJRC
"Economical and so laid."
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Just Jazz Guitar
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CDHotlist.com
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Charlie Haden & Antonio Forcione: Heartplay in Cadence Magazine


10 July 2009
Cadence Magazine

Bassist Charlie Haden really needs no introduction to any of
Cadence's readership, a consummate artist through and through,
with formidable instrumental and compositional skills. Once a firebrand,
Haden's recent partnerships have found him in more relaxed terrain than
in settings where he made his most significant mark (e.g., his Liberation
Music Orchestra and work with Ornette Coleman). One such relationship
has been forged with guitarist Antonio Forcione, an Italian-born,
UK-based acoustic player of merit, whose languid approach works well
in the company of Haden. Heartplay, recorded for the British audiophile
label, Naim, pairs the duo for their first encounter that focuses on their
compositions. The record is indeed an introspective, laid-back affair perfect for
those times when a little peace and quiet is sorely needed. The passionate
"Anna" sets the tone, a romantic ode where Forcione's supple attack
meshes well with Haden's melodic sensibilities. Along similar lines, the
wistful "If . . ." with its childlike intricacy, as well as the picturesque
"Snow," paint mellow, yet colorful patterns.
As for Haden's compositions, the Spanish tinge is alive and well in
this master's thoughts. "La Pasionaria" highlights Forcione's flamencoinfused
approach and Haden's vibrant sound. The restrained melancholia
of "Silence" is mesmerizing, while the record's closer, "For Turiya" is
perhaps the disc's most potent and moving piece. With its subtle beauty
conjuring up the reflective mindset, the performance maintains its
strength by the duo's unity and sense of artfully filling in the space during
its unhurried eleven minute duration. Finally, pianist Fred Hersch,
an underrated composer for sure, gets the nod on "Child's Song," a rare
moment of heart-warming playfulness.
Deceptively simple in execution and presentation, this is the kind
of disc that flows well, so well, that it is often over before you know it.
But closer (and repeat) listens reveal an effective partnership forged in
creativity and a well-matched execution of ideas.


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