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Related Reviews

The Guardian
4 Stars
"a fascinating set of variations...Herbert's unfussy soulfuless and personal vision glow through"
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The Morning Star
"you will find yourself reaching for a rewind of this cheeky piece of plastic from a forward-thinking aesthete who manifestly thinks in yellow."
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Vanguard Online
“This is an artist steeped in talent that has left me wanting more…infectious”
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Soul And Jazz And Funk
3 Stars
“an imaginative and quirky collection… epic”
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indielondon.co.uk
4 Stars
"a great listen and further compelling proof of why Herbert is one of the UK's most treasured (and diverse) female artists."
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The Independent
"remixed, twiddled with, freshened up, titivated, deconstructed...lovely"
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The Daily Telegraph
"Herbert's voice really is a seductive thing, unaffected and ringing and with a nice husky edge...wonderful"
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thejazzman.com
3 Stars
“An enjoyable diversion in the Gwyneth Herbert catalogue"
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Jazzwise
3 Stars
"a remarkable phantasmagoria of varicoloured charms...perfection"
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Red Hot Velvet
“Gwyneth Herbert in fine form”
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AAA Music
“there is something undeniably charming in its atmosphere”
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BBC.co.uk
“likely to make the hairs on the back of your neck stand up…beautiful”
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allgigs.co.uk
3 Stars
“display the full expanse of the Herbert repertoire…lovely”
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Mojo
3 Stars
“the best resume yet of Herbert’s solo talents…far superior to the usual odds’n’sods release”
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Gwyneth Herbert in Tasty


05 November 2010
Tasty

FULL REVIEW HERE

 

What a lovely bright sunny morning it is, and Gwyneth is going to sing for us a song she wrote on just one such busy breakfast time, a song inspired by her experiences while nipping round to the corner shop to buy a newspaper and a pinta. 'All the birds are singing just for me' trills our Gwynnie while hopping into her small BMW to traverse the 100 or so yards to the nearest McColls, and 'My Mini & Me' is a very probable actual candidate for the next Mini advertising campaign.

The rest of the album is equally as upbeat and relentlessly, occasionally mercilessly cheerful. Gwynnie's personal favourite song is 'Perfect Fit', in fact she likes it so much there are three versions of it on this 9-track, each one perhaps inspired seperately by her own declared influences - Tom Waits, Dresden Dolls, Steve Reich - and the tonal collage of 'So Worn Out' has definite artistic flair although there isn't anything on the album that quite equals the monolithic one-chord symphonies of either Reich or Philip Glass. Gwynnie also recommends that we listen to Hackney Pirate Radio stations, although her own songs are probably more comfortably suited for Radio 2 than the grimestep scene. She's a girl with a future our Gwynnie, and the sort of lass whom you call by an abbreviated form of her first name after hearing her album twice. She'll go far.


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