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Related Reviews

Manchester Evening News
4 Stars
"Ubi's Tree is world music in the most positive sense. If it must be categorized, file under ‘Beautiful'."
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Jazzbreakfast
3 Stars
"but overall the lively rhythms, deep resonances and original palette of sounds offer a strong path to follow."
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Jazzman.com
"Thomson has created a very personal sound world and the resultant album exudes considerable warmth and charm."
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Songlines Magazine
4 Stars
"A feat of drums and percussion."
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Vortex Jazz
"It's all affectionately and effectively put together, and it's obviously a project close to Thomson's heart."
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Vortex Online
"incorporates elements of jazz and various African traditional musics into an often mesmerisingly languorous whole"
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Under Ubis's Tree Guardian Review


02 February 2009
The Guardian
John L Walters
3 Stars

The well-travelled, Australian multi-instrumentalist Nathan Riki Thomson plays with groups led by Adriano Adewale and Luke Carver Goss, and this debut complements Adewale's recent album Sementes. There's a similar range of beguiling timbres, but Thomson's work veers towards spacier soundscapes - like New Age, but listenable. Thomson and producer-percussionist Simon Allen make their studio a mirror of the world, with thumb pianos, Hungarian cimbalom, Masai flutes, Arabic ney and everything you can shake a stick at - or just shake. Thomson's Finnish wife, Katja, supplies ethereal vocals on Waiting for Rain and the semi-traditional Song for Otso. There are traces of many kinds of world music - from Naná Vasconcelos to Radio Tarifa - but Thomson seems keen to avoid any single category, an admirable aim that makes the project hard to pin down. Fortunately, his forthright bass-playing and engaging themes mean that songs such as Cheza and the title track reward repeated listening.
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