thebanter.co.uk
"a wonderful talent and a very special voice in British music."
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Directcurrentmusic.com
Gwyneth Herbert posesses a remarkably tough and tender voice that has been called "bewitching" and "a knowing mix of honey, steel and gravel".
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Bearded Magazine
"She moves effortlessly from style to style, combining perfect technique with oodles of soul."
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Wears The Trousers Magazine
"If you're seeking astoundment through accessible innovation, look no further than this impressive collection. Don't believe the title: everything here is alive, red blooded and breathtaking."
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City Life
"All The Ghosts brims with imagination, compassion and vivid longing."
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The Guardian
"This fine album....will be on the year-end hitlist whatever its genre"
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Fly Global Music
"a varied and fascinating album."
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Manchester Evening News
'All the Ghosts brims with imagination, compassion and vivid longing'
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Vortex Jazz
"Herbert's powerful but affecting voice is imbued with sincerity, sympathy and intelligence; the songs' melodies are at once immediately arresting and accessible"
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Buzz Magazine
"[this] healthy dose of eccentricity makes for rewarding listening that's never twee"
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Dorset Echo
"The spirit of Ray Davies [and] Nina Simone."
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The Beat Surrender
"All The Ghosts is the sound of a young lady who has more than found her feet"
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Jazzwise
"shifting metres, contrasting backgrounds, and lyrics that actually mean something."
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Mojo Magazine
"Her singing - warm, soulful, and with a husky hint of Elkie Brooks - is classy throughout"
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Daily Mail
"a warm sultry talk on acoustic folk and pop"
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Sunday Mercury
"delightfully diverse and unpredictable" ALBUM OF THE WEEK
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Stella - Daily Telegraph
"set to be a major sound this summer"
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Metro
"tricky to categorise but fantastically easy to warm to."
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Blues & Soul
"There's a lovely sense of britishness about this girl, not only is she a talent vocally but a strong songstress too." 8/10
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BBC Online
"She has a fine sense of melody and her latest songs tell stories that equal 'Terry meets Julie, Waterloo station, every Friday night' or 'Wednesday morning at five o'clock as the day begins'."
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The Times
"The airy, acoustic arrangements are imaginative, full of shifting tempos and textures."
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Independent on Sunday
"If Hanns Eisler had been a woman and written with Ray Davies, he might have come up with something like this"
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Time Out
"Plenty of memorable hooks and whitty one-liners"
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