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Related Reviews

LA Weekly
"hard to surpass"
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Jazz Weekly
"...a richness and reflective pensativity. Evocative like few other discs in recent memory"
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Pasadena Weekly
"fearsome technical facility but a quiet emotional core"
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Oakland Examiner
Top Jazz Album of 2009
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Cadence
"Laurence Hobgood finally gets a spotlight here to show what a fine pianist he can be."
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Downbeat
4 Stars
"these performances are masterpieces in themselves."
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"The result certainly could be described as elegant, elevating and even at times stately"
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Jazz Times
"transcendent pleasures... harmonically orchestrated and ultimately stirring"
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O's Place
5 Stars
" a joy to listen to"
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Audiophile Audition
4 Stars
"It is comforting to know that players of the of Hobgood ‘s caliber are around keeping the art of jazz piano alive and well."
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Santa Fe New Mexican
"a beautifully recorded no-nonsense outing....perfection"
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Record Collector
3 Stars
"showcases Hobgood's Bill Evans-like piano prowess including an arresting version of Stairway To The Stars"
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New Jersey Jazz Society
"an album that you would be wise to choose as an addition to your CD library."
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Jazz.com
"Hobgood alluded to his three-year absence from live performances. Be assured it was as if he had never left."
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Buffalo News
"a sweet piece of chamber jazz indeed"
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Time Out NYC
"a beautiful new album...[from] quietly eloquent pianist Laurence Hobgood"
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All About Jazz Philadelphia
"it's no exaggeration to call the 49-year-old Chicago-based musician one of the most accomplished pianists of his generation"
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New York Times
"Laurence Hobgood shows off his romantic side"
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All About Jazz NY
"one of the most accomplished pianists of his generation"
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Jazz Review
"If you never thought about playing the piano before, Laurence Hobgood will change your mind. His playing is inspiring, displaying how to channel your thoughts and emotions into the piano keys, forming lyrical and melodic patterns that are portraits of yourself and your surroundings."
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Oakland Examiner
"the 11 tracks clearly demonstrating the pianist's deft touch and creative vision"
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Jazz Police
"Hobgood and Haden glow brilliantly, hearts dancing"
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Pittsburgh Tribune
"Albums don't come much simpler or with much more feeling than "When the Heart Dances."
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GappleGate Music Review
"[Hobgood's] playing is just plain lovely on When the Heart Dances. An incredibly lovely tone. An incredibly lovely note choice."
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Creative Loafing
"a dark passionate tango, so deeply intense in its intimacy that one can easily imagine two dancers in the middle of the floor, frozen in mutual attraction and fascination, as the music plays on."
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Hartford Courant
"When the Heart Dances is an appropriate title for this timeless recording, one worth finding and spending many hours absorbing the sounds into your mind and soul."
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Sounds Of Timeless Jazz
"Hobgood's choices are incredible and his piano finesse is even more beautiful now that he's in the spotlight as a leader of this splendid trio."
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Audiophile Audition
3½ Stars
"This recording flawlessly actualizes each artist's abundant gestures and slightest shading, revealing each musician's fullness and intensity"
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CD Hot List
"a lovely collection...very, very nice"
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AllYourJazz.com
"sure to become a Naim Jazz classic"
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The Skanner
5 Stars
"Laurence Hobgood, the man who has astonished world wide audiences with pianistic prowess...teams up with bassist Charlie Haden for this five star recording"
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Jazz Notes
"This is one to savor"
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Jazz Chicago
"a lovely production and a sheer delight for the ears"
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All About Jazz
"they pull beautiful music from thin air"
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All About Jazz (US)
"[a] quirky, beautiful recording that is delightfully off the beaten path."
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Huffington Post (USA)
"One of the true joys of music journalism is receiving that unexpected package, containing an artist I was unfamiliar with that blows my mind. Enter Laurence Hobgood."
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Mojo Magazine
4 Stars
"a sumptuous, elegiac set of duets, beautifully played"
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Midwest Record
"Off the beaten path and well worth the journey."
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Jazz.com
Rating: 91/100
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The List
"subtle and majestic"
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BBCi
"Hobgood and Haden were made for each other"
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The Independent 'Information'
4 Stars
" this wonderfully simpatico duo epitomises the sound of a simpatico duo"
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The Evening Standard
4 Stars
"he produces a beautifully laid-back hour of music"
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The Guardian
4 Stars
"this album is a triumph"
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BBC Music Magazine
4 Stars
"A match made in Californian jazz heaven"
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The Independent on Sunday
"Welcome to a new piano star." "Pick of the album: 'Que Sera Sera': with Haden's tender solo"
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Jazz Breakfast
"There are many other delights here: the sound of the recording is as effortlessly natural [and] a disc which goes on revealing new insights and nuances with each listen."
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All Music Guide
"An excellent recording from start to finish"
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Jazzwise review
"There's a wonderful, relaxed sympathy between Hobgood and Haden - when you're this good, you don't have to should about it"
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York Press
"This album is a slow burner, a quiet beast which creeps up on you with repeated listening"
more >>
Sunday Post
"a mix of joyful piano jazz frm one of the best in the business"
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When The Heart Dances in Jazz Inside


03 September 2009
Jazz Inside
Dan Bilawsky

Laurence Hobgood's name might not ring a bell for some people but if you've heard any of Kurt Elling's albums, or seen him perform live, you've heard Hobgood's piano playing before. While the pianist has been backing Elling for well over a decade, his own music hasn't always received the attention it deserves. He has recorded several terrific trio albums, and a solo piano record, for the Naim Jazz Label. He creates some absorbing, beautiful music paired with Charlie Haden on his latest album. This album begins with a pretty rendition of "Que Sera Sera." Both men allow the music to simply flow without musical excess or unnecessary technical displays getting in the way of a gorgeous performance. After Hobgood takes a trip through the melody, Haden takes the first solo. Hobgood's solo adds a few fancier touches to the piece but things remain uncluttered from start to finish. While the core sentiment of the song remains, this intimate musical portrait is a far cry from the famous Doris Day rendition. The title track, the first of three Hobgood compositions, begins with a solo piano introduction. Hobgood develops descending melodic motifs during the opening of the song and, once Haden joins in, a bouncy feel is established. Haden's lone composition on the album, "First Song," features Kurt Elling as guest vocalist. While the other two Elling appearances on the album are on performances of standards, this track is more of an art song within a jazz framework. As Elling sings of the first song he heard and the first song that was, hints of darkness, sadness and melancholia seem to move over the music. Fortunately, things brighten up on "Sanctuary." Hobgood is flying solo on this song and a comforting, positive spirit seems to leap forth from the music. He works in little riffs, like occasional sweeping runs or a brief set of sextuplets and triplets here and there, and never gets too predictable as he works his way through this performance. Haden returns for "Chickoree" which he co-wrote with Hobgood. Haden seems to play the straight man on this track and Hobgood moves around him with toying licks. Haden gets some solo space here and then Hobgood returns. The pianist seems to want to play a musical game of cat and mouse but Haden doesn't bite and keeps moving along, setting the direction and holding it all together. "Stairway To The Stars" is the first of three consecutive tracks that are five star performances. Elling returns and his voice gives off a good deal of warmth here. Hobgood's masterful accompaniment helps to heighten the vocal performance and the shared history between pianist and singer takes this music to the next level. Hobgood keys in on the lyrics too, and when "climb to heaven with you" comes out of Elling's mouth he's right there with some floating upper register piano tinkling to match the sentiment in the words. Hoagy Carmichael's "New Orleans" has seen an increase in popularity over the last few years and this performance is one of the best I've heard. After a brief piano introduction, Haden joins Hobgood and they settle into a comfortable, strolling tempo that perfectly reflects the weather and vibe of the Crescent City. Haden is supportive to a fault when Hobgood is in charge. When the bassist takes his turn in the spotlight he delivers his most moving solo on the album. A fine marriage between Haden's bass and Hobgood's piano is found on "Why Did I Choose You?" While I've mentioned that Haden is often supportive of Hobgood, this track seems to have both men on an equal playing field, which is a difficult feat to achieve with a piano and bass duo. "Leatherwood," another solo piano performance, is a showcase for Hobgood's spirited playing, technical prowess and sharp compositional skills. Elling makes one last appearance on a terrifically grooving, soulful version of the Ellington/ Strayhorn classic, "Daydream." The album ends with "The Cost Of Living," which seduces the listener from the very beginning. The hushed sense of beauty and genuine charm in this performance is just one of many special moments on When The Heart Dances.

 


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