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Related Reviews

tunited.com
"Derivatives may not be quite as dark as The Sparrow And The Crow but it still has the evocative power to floor anyone. Even his ex?"
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forfolkssake.com
"Fitzsimmons’ fans will appreciate the different sound"
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music.aol.co.uk
3½ Stars
"Fitzsimmons mixes acoustic guitar with low-key electronica to mesmerising effect......a star in the making."
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tastyfanzine.org.uk
"William Fitzsimmons is splendidly recreating the Ibizan beatpop of 2002."
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entertainment-focus.com
"The songs on Derivatives, will offer Fitzsimmons’ fans something new, which they are sure to enjoy. "
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allgigs.co.uk
5 Stars
'Fitzsimmons seems to have poured his heart into this collection and the result is one of the most consistent pieces of music you will find all year. From start to finish the level rarely wanes and if you want to have a clearer indication of how good it is I would say it stands proudly beside Postal Service's 'Give Up'. A staggeringly high class mix of emotion, dance production and above all, talent.'
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thefourohfive.com
4 Stars
"brimming with outstanding beauty and crafted with care."
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Northern Echo
"This, is amongst the best. Nicely balanced, beautifully recorded"
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youngscot.com
4 Stars
"This is an excellent mix of folk-inspired songs revisited with an electro feel"
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Derivatives on CityLifers


20 May 2010
citylifers.com
Chris Gilliver
5 Stars

Read full review HERE

The really remarkable thing about Fitzsimmons is the stunning beauty of his music. Like processing an orange into delicious freshly squeezed juice, he has the rare ability to turn his tragic story into music that evokes his experiences without losing anything in translation. This new release "Derivatives" is a reimagining of some of the more prominent tracks off his breakthrough album "The Sparrow and the Crow". If you haven't heard this you should start there.

In fact there's a case for saying that these remixes are actually superior to the originals. The synths add a third dimension that lifts the tracks into something that is more moving and dramatic (though never becoming as ridiculously trite and banal as the programs like "One Tree Hill" on which his tracks have featured).

Few things set my mind on fire these days, but this does. It's the best thing I've heard so far this year. I only hope that his next album is entirely electronic. In the meantime this will not leave my turntable.


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