BOY COM's debut single
Who Needs ‘Em Anyway? brags swanky Basin Street and the smoothest chorus this side of Milwaukee. The Brighton-based, international hip-hop big band make head bobbing, smirk inducing soul for the 21st century. The contagious sonic parade that is
WNEA? isn't all frat-boy giggles though;
WNEA? is a familiar ‘good guys prevail' tale of schoolboy bullies and an anthem for underdogs.
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Produced by
BOY COM
BOY COM's debut single Who Needs ‘Em Anyway? brags swanky Basin Street and the smoothest chorus this side of Milwaukee. The Brighton-based, international hip-hop big band make head bobbing, smirk inducing soul for the 21st century. The contagious sonic parade that is Who Needs ‘Em isn't all frat-boy giggles though; Who Needs ‘Em is a familiar ‘good guys prevail' kind-of tale of schoolboy bullies and an anthem for underdogs.
BOY COM's story began on a High School playground in the south of France, when a love of all things melodious brought harmony between Noah and fellow international students Ali Hill (vocals) and ‘Worldwide' Webster (guitar). As a gifted turntablist and multi-instrumentalist, a vibrant French Hip-Hop scene proved the perfect training ground for Noah and friends. Upon reaching UK shores, Noah recruited BOY COM band members Sam (bass), Dom (drums), Joe (keys), John (sax), Ben (trombone) and Moth (trumpet), set up camp in Brighton, and hit the road.
As testimony to their all-embracing, party-like live set, BOY COM have added a wealth of friends in their so-far short tenure. Having shared the stage with artists as revered as Alice Russell, Ugly Duckling, Wax Tailor, The Black Seeds and Finley Quaye, BOY COM are also championing a superfluity of remixes for Who Needs ‘Em Anyway? from a force of talented artists both eminent and unknown.
Remix contributions for Who Needs ‘Em Anyway? include from the nonchalant grooves of international hip hoppers ASM, ‘yazz' flutes from French mega-producer Wax Tailor's band Ludivine Issambourg, Brighton's fanatical drumming/synth live remix duo AK/DK, Cannes' own Justice approved electro dejay Irish Steph, blasé beats from French Hip Hop remixer G.Bonson and British electronica from Eagles For Hands and eleven8.
Produced by
BOY COM